Laughing Through the Chaos: BIZZY on “Tuesday,” Touring with Rachel Chinouriri & Finding Freedom in Vulnerability
Written by: Keyali Mikaela
We caught up with rising alt-pop artist BIZZY ahead of her Denver stop on tour with Rachel Chinouriri, where she’s been sharing the stage with fellow opener Alameda. Known for her brutally honest lyrics, witty delivery, and undeniable presence, BIZZY is in her “say it all and say it loud” era. Her latest single “Tuesday” captures that exact vibe—equal parts heartbreak and hysteria.
We chatted about what led to the song, writing for others vs. writing for herself, and the chaotic joy of being on the road with an all-women lineup. Spoiler: it’s unhinged in the best way.
You just dropped “Tuesday.” It’s kind of giving delusional confidence—in the best way. What headspace were you in when writing it?
It was kind of this state of like—there’s literally nothing worse you could do. Like, you could hit me with your car and I’d be unfazed because it’s just so downhill and horrible. That was definitely the headspace I was in—just delusional and insane at the moment.
What led up to writing it?
It was just a long relationship that, over time, kept going downhill. It was one thing after the next, and slowly but surely, I became kind of accustomed to it. It got to the point where there was literally nothing you could do that would surprise me.
You’ve said “Tuesday” is kind of like laughing through the pain. Would you say this marks a new era?
I think the era starts with “Don’t Tell the Girls,” and “Tuesday” is definitely part of that new era.
You wrote the song with Bandana Cheyenne, who worked on Dasha’s “Austin.” What was that session like?
Photo Credit: Anna Azarov
Cheyenne is the best human being ever. We’ve been friends since Belmont, so it was really easy. We’ve worked together before. It was me, Cheyenne, and Dave Villa—who I also love. It was literally like a therapy session: just me complaining about everything going on. It was one of those moments where you’re crying so hard you start laughing. Like, okay, I can either keep crying or I can just laugh about it. So we wrote a laughing song.
Does it make it easier to share those intimate moments when you’ve worked with people before?
Totally. Songwriting in itself is such a vulnerable thing, and bringing in new people can be really intimidating. But when you’ve built a rapport and a safe space, it’s so much easier to run off each other and create a really creative environment.
You’ve written for other artists. How does that compare to writing for yourself?
There are a lot of similarities and differences. When you’re writing for another artist, you kind of turn into a chameleon and try to fit into their shoes—resonate with what they’re going through so you can write through their lens. As an artist, you’re steering the ship. You have to be clear—this is what I want to say, this is what I don’t, and this is how I’m going to say it. People will throw out ideas, but you have to know where you’re headed enough to say, “Don’t like that,” until you chip away and find what you’re really saying.
Do you have a preference?
Definitely my own music right now. I still adore writing for other people, but I mostly do it with other writers or artists I’m close with or really believe in. It’s more of a pick-and-choose thing, which is nice. But I love both, and I definitely want to dive more into writing for others again soon.
When you’re writing something heavy, do you need to do it in the moment?
It depends. The heavy ones—like a breakup or a death—take me a while. I’ll write a lot, but it takes time to hit the crux of the feeling. I found that with “Just Yet.” I wrote a million songs about that same guy, but “Just Yet” was the one that embodied everything I was trying to say.
Do you ever hesitate about putting out vulnerable songs?
Weirdly, no. I actually enjoy it. There’s something freeing about it. Once a song is out in the world, it’s no longer mine. It’s like burning a picture after a relationship—you’re just done with it.
How does it feel to sing those songs on tour and see people singing them back?
That’s the most surreal thing in the world. I’ll never get used to it. It’s such a privilege to have people care about my lyrics enough to memorize them and come to shows. You write these songs in a quiet space, and then you get to experience them in a totally different way with other people. It brings such a sense of community. That’s definitely my favorite part.
How has the tour with Rachel Chinouriri been?
Rachel and her fans are the best human beings. She calls them “The Darlings,” and everyone is so sweet, respectful, and shows up early. Alameda—the other opener—is also incredible. It’s been a dream tour.
What’s been the most exciting part?
Honestly, the shows. Getting to meet people, connect, and hang with Rachel and Alameda’s teams—it’s just been like one big family.
And it’s an all-women lineup. That’s powerful.
Totally! I’ve never been on an all-women lineup tour before, so this feels special for sure.
What’s been the most unhinged or unforgettable part so far?
It’s not even one specific moment. We’re driving so many hours, usually after shows, so we’re all just delusional. It’ll be 2 AM, we’re headed to another state, and the van just gets chaotic—screaming, singing, laughing. It’s a lot of those moments. The kind that bring you closer real quick.
Final question—what does being vulnerable through your art mean to you? And have you ever kept a song just for yourself?
Being vulnerable is the only way I can really write. Not even in a “I have to be vulnerable” way, but more that writing was never about other people in the beginning—and it still isn’t. It’s how I’m honest with myself and figure out what I’m feeling. That’s always been my process. And yeah, there are songs that I’ve written that I’ve decided not to put out—things that are too personal or could hurt someone else. Not in a “screw you” way, but more like, this doesn’t need to be said out loud. It’s more of a journal for me.
BIZZY is one to watch—an artist who isn’t afraid to make the uncomfortable sound beautiful, and the heartbreaking feel hilarious. Catch her on tour with Rachel Chinouriri now and stream her new single “Tuesday” everywhere.
